Minchō Magazine

Minchō Magazine is a three-month publication released with the aim of spreading the latest trends in illustration and to promote the personal projects of those artists lying behind the masterpieces of animated cinema, comic, poster art, typography, video games, children’s books… and who have created the most significant icons of our time. Minchō Magazine is an exchange of glances between critics and artists about the brief but intense history of contemporary graphic expression. We love the papery smell of a good book or a sleek magazine and that’s why we want to give you access to this world we’re passionate for in a superb print edition.

Mincho Magazine

Details

  • Country: Spain
  • Language: English
  • Frequency: 3 issues/year
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Mincho Magazine Issue 17 is out now. Mincho #17 is devoted to analyzing that complex relationship from the perspective of its contemporary graphical and artistic representation, ranging from naturalist illustration to pieces carried out with the purpose of raising awareness of environmental causes, and also including landscape interventions and liquid simulations by artists working in the expanded field.

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Mincho Magazine Issue 16 is out now. Mincho #16 is overdone, full of decorative fantasy, formal exuberance and hand-made creations, but it doesn’t wish to be just yet another ‘coffee table book’.

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Mincho Magazine Issue 15 is out now. Mincho #15 explores the synergies between illustration and theatre, from the scathing posters by Michel Bouvet and the influence of Bertolt Brecht in the comics of Alan Moore, to the use of the mask and the sets to dramatise the text, and of 3D models to narrate visually, such as Elena Odriozola’s revival of the paper theatre. But also dance and music have been a source of inspiration, as can be seen in Roberto Massó’s recent comic book that pays homage to pioneering dancer, Loïe Fuller; and through our lively selection of picture books to introduce the youngest to jazz music.

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Mincho Magazine Issue 14 is out now. This new issue brings together the inspiring poster art of Alain Le Quernec, the protest art of printmaker Paul Peter Piech, “bastard pop design” by Un Mundo Feliz, the mordant banners and publications of Juan Pérez Agirregoikoa, and Raymond Pettibon’s contribution to the California punk scene, amongst other contestatory artists.

We contribute 1% of our revenue towards carbon removal. LOREM (not Ipsum) is part of Stripe Climate, a coalition of businesses accelerating carbon removal. Stripe Climate aggregates funds from forward-thinking businesses around the world to increase demand for carbon removal. We believe businesses can play a critically important role in helping fight climate change.