Where the Leaves Fall – Issue 4 - Buy from LOREM (not Ipsum)

Where the Leaves Fall Issue 4 is here. The themes for this issue focus on mutualism, interconnectedness, and pandemic, alongside a series of dialogues.

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Where the Leaves Fall Issue 4 is available now on loremnotipsum.com. The themes for this issue focus on mutualism, interconnectedness, and pandemic, alongside a series of dialogues.

Where the Leaves Fall is born out of and informed by a series of conversations held at and with OmVed Gardens, in London, UK. Until recently a wounded and tarmacked wasteland, OmVed has been transformed into a diverse eco habitat with a wild flower meadow, an orchard and a vegetable garden. Through collaboration with artists, architects, chefs, musicians and horticulturalists, it is exploring the nature of the relationship between people and our connection to the environment. It facilitates exhibitions, workshops, concerts, dinners and discussions, creating collaborations around the topics of food, creativity and ecological transformation. As physicist and ecologist Fritjof Capra said: “It is only by connecting to nature that we can know who we are.” Maybe it is also true to say that it is only by connecting to ourselves that we can know what nature is. Knowing more about ourselves and knowing more about nature are one and the same thing. OmVed has partnered with the UN World Food Program on events to highlight worldwide disparities and to speak about the UN Sustainable Development Goals.

Content

A MUTUAL FEELING
The issue opens with a look at how our lives are inextricably entangled with the lives of other species, and the way that artists and creatives are attempting to recognise this. We examine the legacy of George Washington Carver, the black son of a slave owner, whose insights into soil preservation and crop diversification in 19th century America preempted the concerns of modern regenerative agriculture. And Brazilian chef and author Bela Gil argues that agroecology could be the key to ending climate change and food poverty.

OUR ROOTS ENTWINED
We find out how a 16th century guru living in northern India has inspired ecology lessons in contemporary Dubai, and learn about the tenets of the Bishnoi community who were eco-warriors before the term was invented. Deepti Asthana’s photographic essay explores life for teenage girls in a remote Himalayan village. And Catherine Gilon connects colonial interventions in Nilgiris, southern India, with the current threat to native species and destabilisation of the ecosystem.

A CHANCE TO REFLECT
We examine how the Covid-19 pandemic has affected food security, with an insight into how people are finding local solutions to the collapse of global supply chains, focusing on initiatives in India, the Philippines, Sierra Leone, Colombia, Mexico, Trinidad and Tobago, the US and the UK. And how the gardens in Domiz 1, the oldest and biggest refugee camp in Iraq, have become a symbol of hope to the camp’s 32,000 inhabitants.

DIALOGUES
Writer Maia Nikitina explores the way in which the Russian myth of Baba Yaga has evolved to reflect the country’s changing relationship with nature. Ellen Miles makes the case for nature access as a human right. And Sol Polo is inspired by artist Maria Laet’s work seeking to mend the divide between humankind and the elements.

Details: Where the Leaves Fall – Issue 4

136 pages, 24 x 17 cm

Article No. bfwheretheleaves0004 Published by Where the Leaves Fall Manufactured in United Kingdom Available in English Tag Reading situation Coffee Shop · Travelling Weight 500 g Dimensions 24 × 17 × 2 cm

Where the Leaves Fall Issue 4 is available now on loremnotipsum.com. The themes for this issue focus on mutualism, interconnectedness, and pandemic, alongside a series of dialogues.

Where the Leaves Fall is born out of and informed by a series of conversations held at and with OmVed Gardens, in London, UK. Until recently a wounded and tarmacked wasteland, OmVed has been transformed into a diverse eco habitat with a wild flower meadow, an orchard and a vegetable garden. Through collaboration with artists, architects, chefs, musicians and horticulturalists, it is exploring the nature of the relationship between people and our connection to the environment. It facilitates exhibitions, workshops, concerts, dinners and discussions, creating collaborations around the topics of food, creativity and ecological transformation. As physicist and ecologist Fritjof Capra said: “It is only by connecting to nature that we can know who we are.” Maybe it is also true to say that it is only by connecting to ourselves that we can know what nature is. Knowing more about ourselves and knowing more about nature are one and the same thing. OmVed has partnered with the UN World Food Program on events to highlight worldwide disparities and to speak about the UN Sustainable Development Goals.

Content

A MUTUAL FEELING
The issue opens with a look at how our lives are inextricably entangled with the lives of other species, and the way that artists and creatives are attempting to recognise this. We examine the legacy of George Washington Carver, the black son of a slave owner, whose insights into soil preservation and crop diversification in 19th century America preempted the concerns of modern regenerative agriculture. And Brazilian chef and author Bela Gil argues that agroecology could be the key to ending climate change and food poverty.

OUR ROOTS ENTWINED
We find out how a 16th century guru living in northern India has inspired ecology lessons in contemporary Dubai, and learn about the tenets of the Bishnoi community who were eco-warriors before the term was invented. Deepti Asthana’s photographic essay explores life for teenage girls in a remote Himalayan village. And Catherine Gilon connects colonial interventions in Nilgiris, southern India, with the current threat to native species and destabilisation of the ecosystem.

A CHANCE TO REFLECT
We examine how the Covid-19 pandemic has affected food security, with an insight into how people are finding local solutions to the collapse of global supply chains, focusing on initiatives in India, the Philippines, Sierra Leone, Colombia, Mexico, Trinidad and Tobago, the US and the UK. And how the gardens in Domiz 1, the oldest and biggest refugee camp in Iraq, have become a symbol of hope to the camp’s 32,000 inhabitants.

DIALOGUES
Writer Maia Nikitina explores the way in which the Russian myth of Baba Yaga has evolved to reflect the country’s changing relationship with nature. Ellen Miles makes the case for nature access as a human right. And Sol Polo is inspired by artist Maria Laet’s work seeking to mend the divide between humankind and the elements.

Details: Where the Leaves Fall – Issue 4

136 pages, 24 x 17 cm

Article No. bfwheretheleaves0004 Published by Where the Leaves Fall Manufactured in United Kingdom Available in English Tag Reading situation Coffee Shop · Travelling Weight 500 g Dimensions 24 × 17 × 2 cm
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